By G. Robert Jenson Since the mid-nineteenth century, history paintings have rarely been the pictures to make significant art history. This is only in part because the content of art...
ArtExperience:NYC Winter/Spring 2013
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Peter Piller: Make Love, Not War
By Rafael López-Ramos German artist Peter Piller (b. Fritzlar, 1968), has been working with found pictures for over twenty years....
1993: pick a year, any year
By Saul Ostrow It seems to me that 1993 was not a turning point year in which there was an...
The Temptation of the Diagram
By Yuneikys Villalonga The Temptation of the Diagram is the current exhibition at Andrea Rosen Gallery 2, their new space...
A Critic’s Guide to the Pulse Contemporary Art Fair
Christian Viveros-Faune has attended this year’s Pulse contemporary art fair, which presents 60 US and international galleries and writes about...
Punk: Chaos to Couture at the Metropolitan Museum
From the Costume Institute of the Metropolitan Museum of Art comes an exhibition based on the fashion recreated from the...
Ben Durham’s Art of the Mugshot
Ben Durham’s solo exhibition at the Nicole Klagsbrun gallery (showing until May 18th) is a series of drawings done of...
Collector Says Sotheby’s Sold Him Nazi-Owned Art
A man who bought a painting from Sotheby’s says that the auction house sold him a painting owned by Herman...
Village Voice’s Review of LaToya Ruby Frazier at Brooklyn Museum
Showing now at the Brooklyn Museum is a powerful exhibit by American photographer LaToya Ruby Frazier. Christian Viveros-Faune, of the...
Lee Walton’s “Angry Birds” Inspiration
Artist Lee Walton’s latest exhibit at Kraushaar Galleries channels a new, unexpected inspiration in the popular video game “Angry Birds”....



